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Did you know that you can find us on several social networks? This way you can visit and follow us on the network of your choice to stay tuned with the most up-to-date news on our projects or just to know a bit more about us.

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Polaris Team


Robert Goodman’s Biography

Robert Goodman will play Danny in our short film Doris and the Pennies from Heaven. He is a versatile actor, presenter and writer.

Here is Robert Goodman’s amazing biography.  Robert will play Danny’s role in our short film Doris and the Pennies from Heaven.

As well as acting in films all around the globe and TV, Robert is a TV presenter, a writer, has worked as a first assistant director in the film Rapt in Eire (2009) and has written and directed his own short and feature films, applauded in several film festivals.

Robert Goodman was born in Northampton in 1955 and, after being trained as a cook at the Savoy Hotel, he decided to pursue an acting career. He studied at the Birmingham School of Speech Training and Dramatic Art. He is a keen follower of the Acting Method and has taken several courses on it, and still does. Besides, he writes about this expertise in several magazines and newspapers, such as the Empire Magazine.

While studying and as a young actor, Robert also worked as a magician at the Hamley’s Toy Store and as a London’s tour guide.

His acting career is a long and prolific one. He has worked with world acclaimed directors such as Charles Crichton in A Fish Named Wanda, 1988, Luc Besson in The Messenger: The Story of Joan of Arc, 1999, Martin Scorsese in Gangs of New York, 2001, and Steven Norrington in The League of Extraordinary Gentlemen, 2002.

As a writer, he contributes to various magazines and newspapers with articles about the  acting method and technique and the paranormal or the esoteric. Besides he has worked alongside Watchmen‘s and V for Vendetta‘s graphic novelist Alan Moore in several projects.

His writing and directing credits include short films, theatre ‘One Man Shows’, the horror/comedy feature film Who Pays the Ferryman? and directing theatre plays such as Walk like a Black Man (2011).

If you want to know more about his impressive and versatile career visit his website http://www.robertgoodman.co.uk/

BonBon Boutique to make unique jewelry for Doris

We are very happy to announce that Amsterdam based BonBon Boutique is going to  design and create the jewelry that Honor Blackman is going to wear in our short film Doris and the Pennies from Heaven.

Check their great designs at http://www.bonbonboutique.nl/

Polaris Team-HQ

Aldous Huxley’s sensory cinema

In Aldous Huxley’s Brave New Worldnovel (1932) there is a moment where two of the main characters, John the savage and Lenina go to the cinema, but it is not an ordinary cinema, it’s a sensory cinema.This novel is quite often compared to George Orwell’s Nineteen Eighty-Four for its portrayal of a dystopia or negative utopia. Set in 2540 A.D. London, the Brave New World universe portrays humans as hedonistic, superficial and egoistic characters (as this is how the state has shaped and conditioned them) in a world in which individualism, love and empathy are disapproved of, and practices like consumption, massive use of technology and happiness inducing drug consumption are encouraged.


The film John and Lenina go to watch is a sensory one, called ‘feelie’, because of the fact that, in addition to seeing the film, they can feel it, taste it or smell it. So, if in the film a bear appeared, they could also feel his fur, and if food was shown, they could smell it or taste it.


Do you think this could be possible in the future? Aldous Huxley found the jump  between silent and talkie film an inspiration for this sensory cinema, and technological advances allowed us to see films in 3D. So, do you think that it could be likely to create a sensory cinema? If so, what films would you like to see?

‘Choose your own adventure’ films


Do you remember the ‘Choose your own adventure’ books? Surely most of you have been hooked on them trying to decide if choosing the left hand door would take you out of the pyramid or to the monstrous mummy.

Tim Curry starring Clue (1985) was one of the pioneering interactive films, as it portrayed three different alternative endings; despite that, you could not really choose them, as each cinema theatre chose one randomly. You have other films that show you different versions of the same story, such as Blind Chance (1987) or Run, Lola, Run (1998), but they don’t offer the possibility to choose which one to see.

However, there has been a tendency lately to make ‘choose your own adventure’ films, like Bob Doucette (director), William H. Macy and Frankie Muniz (voices) The Snowman (2007) or Bob Gale’s Mr. Payback (1995) but unfortunately they are not widespread yet.

Do you think it is a good idea to be able to interact with a film? Would you like to have more interactive ‘choose your own adventure’ films and what kind of films (horror, adventure, romance…) would you like to watch? How do you think they could be shown on cinemas?